Holly Pratt
Light can fall and be captured in the most beautiful and magical of ways, creating patterns and spotlighting. In this series of work I aim to explore this idea as I work with farmyard barns. The cracks and crevices in the roofs of the barns allow light to creep through and form in different ways depending on the time of day and year the image was taken, and also the brightness that particular time. The barns are primarily used for the storage of horses. The barns are dirty, dusty, old and very much lived it, so each have their own unique character. The arrangement of the dust, the scattering of the sawdust and the placement of feeding troughs and water butts all add to the character of these images.
Samantha Carter • Thomas Enderby • Fiona Kenny • Jennifer Linden • Rebecca Murray • Holly Pratt • Samantha Valentine •
The Arts Institute at Bournemouth
BA (Hons) Photography
University of Brighton
BA (Hons) Editorial Photography
Camberwell College of Arts
BA (Hons) Photography
University of Chester
BA (Hons) Photography
Cleveland College of Art and Design
BA (Hons) Photography
Dublin Institute of Technology
BA (Hons) Photography
IADT Dun Laoghaire
BA (Hons) Photography
Edinburgh College of Art
BA (Hons) Visual Communication - Photography
University College Falmouth
BA (Hons) Photography
University College Falmouth
MA Photography
Glasgow School of Art
BA (Hons) Fine Art Photography
University of Gloucestershire Cheltenham
BA (Hons) Photography
London College of Communication
Graduate Diploma Digital Lens Based Image-Making
London College of Communication
MA Photography
University of Wales, Newport
BA (Hons) Photographic Arts
University of Wales, Newport
BA (Hons) Documentary Photography
University of Portsmouth
BA (Hons) Photography
Central Saint Martins
MA Communication Design - Photography Route
Swansea Metropolitan University
BA (Hons) Photography in the Arts / Photojournalism