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During the passing year, I've immersed myself for secluded periods of time, in the lives of people I've spotted in my daily surroundings and approached. I moved in with them, sometimes only for a few hours and sometimes for several days, immediately participating in their most intimate rituals, videotaping our interaction. I then revisit, to reenact frozen scenes extracted from the surveillance material I've collected. This way I was able to facilitate the conditions that enabled me to capture complicity between us. This process constitute another facet of my inquiries regarding the intimacy and authenticity of reenactment, occupying a contradictory position both distant, and involved, repulsed and attracted, belonging and alone; experiencing both empathy and a struggle for domination.
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