In the summer of 2020 Source ran a prize for new writing about photography. There were 132 submissions. The winner of the prize was April Yee and her submission is published in the new Source, issue 103. Four additional submissions were shortlisted, by Josh Allen, Julie Dennis, Julia Tanner and Mads Holm. The piece by Josh Allen was developed into a feature which also appears in issue 103. The three articles by Julie Dennis, Julia Tanner and Mads Holm are published here starting with Mads Holm's.
“This is the last time you’ll see me in my twenties,” I said to my father in the car. He turned around and stretched his face into a smile with dancing eyes. My father is a quiet man, and rarely makes eye contact. His affection is as genuine as it is awkwardly expressed: he makes a caricature of himself in order to show it. His father was a photographer whose photographs rarely contained people. Those that did normally held faces turned away. When I think of portraits in photography - posed, the smiling gaze looking out - I think of the brief moments of eye contact between myself and my father before we hug goodbye. These are the rare times I look directly at him looking directly at me. . . [ Full Article ▸]
Riot police surround the entire group of protestors. Anonymous black shapes appear like shadows on the walls of the red brick houses on both sides of the street. Their gloved hands clutch the truncheons. I look to both sides. Like plucking flowers from a bouquet of black roses the riot police begin pulling out protestors from the crowd. One after another grabbed, forced to the ground, handcuffed and dragged down the side streets. Fleeting moments of crisscross eye contact spread an anxious energy. Heartbeats felt in finger tips. . . [ Full Article ▸]