Privacy Note: Source uses cookies or similar technologies to analyze trends, administer the website, track users’ movement around the website and to gather demographic information about our user base as a whole. The technology used to collect information automatically from Source Users may include cookies, web beacons, and embedded scripts. In addition, we and our analytics providers (such as Google), and service providers (such as PayPal and Mailchimp) may use a variety of other technologies that collect similar information for security and fraud detection purposes and we may use third parties to perform these services on our behalf. If you continue to use this site, you agree that we can place these types of cookies on your device. 

Source Photographic Review - Back Issue Archive - Issue 107 Spring 2022 - Contents Page

CONTENTS:
Issue 107 — Spring 2022

SIGNS

Source - Issue 107 - Spring - 2022

Content from Issue 107 Currently Available Online:

Content Listing:

  • NEWS:
    Appointments / Jesse Alexander finds out about new Irish Photography Collections
  • CECIL BEATON AND HIS CONTEMPORARY RELEVANCE.
    Column by Joseph McBrinn
  • ARE HISTORIC ALBUM DIVIDED UP WHEN THEY ENTER THE ART MARKET?
    Column by Orla Fitzpatrick
  • Judith Williamson analyses the Pictures of Partygate.
    Feature by Judith Williamson
  • Alan Huck considers Walker Evans and Concrete Poetry.
    Feature by Alan Huck
  • Caroline Harding talks about the challenges of being a Manuscript Photographer.
    Feature by Caroline Harding
  • Words, Words, Words...
    NEW WORK BY MARI MAHR
    Text by Carlo Gébler
  • Album of Signs
    NEW WORK BY FRITZ FüRSTENBERG
    Text by Jonathan Long
  • Digression as Method
    NEW WORK BY DAVID BELLINGHAM
    Text by Eley Williams
  • In The Street
    Helen Levitt
    Photographers' Gallery
    Exhibition review by Ian Walker
  • In Our Own Image: Photography In Ireland From 1839 To The Present
    Exhibition review by Emily Mark-FitzGerald
  • Whatever You Say, Say Nothing
    (Gilles Peress)
    Book Review by Colin Graham
  • Eyes Open: 23 Photography Projects for Curious Kids
    Susan Meiselas
    Aperture
    I Saw the Air Fly

    Sirkhane Darkroom
    Book Review by Nora Labo
  • Left hand, Right hand
    Fleur van Dodewaard
    Out of home

    Hold Still: A Portrait Of Our Nation In 2020
    Lemn Sissay
    Book Review by Annabella Pollen
  • Instructional Photography: Learning How To Live Now
    Carmen Winant
    Book Review by Odette England
  • Capitalism and the Camera
    Kevin Coleman & Daniel James (eds.)
    Book Review by Roberta McGrath
  • Zone Eleven: Photographs by Ansel Adams
    Mike Mandel
    Book Review by Stephen Bull
  • Irish Work
    Tom Wood
    Book Review by Christopher Clarke
  • How Photography Became Contemporary Art
    Andy Grundberg
    Book Review by Juliet Hacking
  • Installation view: Photography Exhibitions in Australia (1848-2020)
    Daniel Palmer & Martyn Jolly
    Book Review by Alexandra Moschovi
  • Marvel
    Marvel Harris
    Book Review by Jessie McLaughlin
  • To Be Determined
    Duncan Wooldridge
    Book Review by Taco Hidde Bakker
  • #selfies
    Harry Woodrow
    Book Review by Richard West
  • SELF-PUBLISHED BOOKS:
    To The Antarctic
    Jamie Hawkesworth
    Vandalized Stones
    Cóilín O’Connell
    Light Memory
    César Vásquez Altamirano
    Furze, Motor, Rubble
    Jack Whitefield
    4AM
    Paul Cupido
    Reviewed by Colin Pantall
  • THE VIEW FROM ELSEWHERE:
    Column by Rin Ushiyama, Sociologist