The ongoing body of work should be understood as a visual manifestation of a motivation rather than of a motif. The images try to create an atmosphere of visual clarity by annihilating distractive elements such as distinct geographical, temporal or fashionable identification marks and thus cannot be regarded as a document of a specific event in time. Nevertheless, the works seem to be on the side of reality in their indetermination and ambivalence oscillating between calmness and unease; the viewer has to bring order into the inordinate, attribute meaning and value.
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