In the novel 'The Gift' by Vladimir Nabokov, the character of Fyodor poetically expresses a desire to use paint in order to illustrate the visual rapture he experiences as a result of synesthesia. It is this outlandish eagerness to evoke understanding, combined with the dwindling nature of synesthesia over time, which provides the basis for this work. In order to illustrate my own experience with synesthesia, I have merged both painting and photography to defy the conventions of what we see and what we know.
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