Using an interdisciplinary approach to create a tension between motion and stillness, my work addresses the question: is there a field of work which is neither and both photography and film at the same time? My practice explores the relationship of film and photography, working between the boundaries that separate them to find a point where they converge. Often these conceptual ideas materialise in the form of a physical cross over of the two disciplines, shown in a space curated to submerge the viewer. Film has its foundations in photography, in essence film is a succession of single still images. Immediately this invites a comparison: if film is the evolution then where does this leave still photography?
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