Molly Richardson is a female landscape, documentary photographer. Her recent body of work looks at voids within the landscape. It is inspired by the theory of ancient Chinese landscape painting, in which the key principle is emptiness and the use of negative space. Voids have been a developing theme in her work for a while, being portrayed in her imagery through nostalgia, the melancholy and her personal life. The images are shot on a Mamiya RB67 and since the Covid-19 pandemic, she has been developing the film at home in her bathroom.