Pietro Catarinella
Data Traffic
DATA TRAFFIC - How do we perceive photographic images and texts in relation to the experience of the Internet? Data Traffic presents a paradoxical surface where digital and analog, virtual and real are indistinguishable giving light to a Nomadic Image, i.e., a playful critic of representation. It is an image without subject (in a sense a fractal image) where reproductions appear and collapse in constant circular movement, a continuous renewal of the same tension between concealing and revealing. Even though photography is at the very core of the project, it escapes the standard way of perceiving and understanding this medium: photography is no longer an object, and representing objects, but rather a never ending visual experience.
William Henry Carter • Pietro Catarinella • Ruth Connolly • Christine Donnier-Valentin • Stephanie Galea • Paul Hutchinson • Thomas W. Kuppler • Mark McWilliams • Sinaida Michalskaja • Alexandra Pace • Daniel Silva • Tanya Zommer •
University of Brighton
MA Photography
Central Saint Martins
MA Photography
De Montfort University
MA Photography
Goldsmiths University of London
MA Photography: The Image and Electronic Arts
Plymouth University
MA Photography
Royal College of Art
MA Photography
University of Ulster
MFA Photography
University of Westminster
MA Photographic Studies
University of Westminster
MA Documentary Photography & Photojournalism
Pages:1