Stephanie Galea
Brechtian interlude
My works stems from the observation of the sea as an online environment. As I traverse this realm, I encounter interruptions in what is meant to be a seamless representation of the Earth's surface; immediate experience is perceived as authentic experience. As I confront these anomalies; a result of the programs' computational algorithm, I find myself alienated, realising that I'm observing a spectacle. I document disturbances in our anticipation of this digital narrative; a Brechtian interlude. Images and time disappear and everything is eventually replaced. What I have captured yesterday may not be present today, in a space where time is flat and as it passes, years are interwoven into this plane representation, this smooth map of time.
William Henry Carter • Pietro Catarinella • Ruth Connolly • Christine Donnier-Valentin • Stephanie Galea • Paul Hutchinson • Thomas W. Kuppler • Mark McWilliams • Sinaida Michalskaja • Alexandra Pace • Daniel Silva • Tanya Zommer •
University of Brighton
MA Photography
Central Saint Martins
MA Photography
De Montfort University
MA Photography
Goldsmiths University of London
MA Photography: The Image and Electronic Arts
Plymouth University
MA Photography
Royal College of Art
MA Photography
University of Ulster
MFA Photography
University of Westminster
MA Photographic Studies
University of Westminster
MA Documentary Photography & Photojournalism
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