Thomas W. Kuppler
What do you really see?
I am interested in the notion of using methodological experimentation within an image in order to abstract and play with the visible and invisible through obstruction. The need to deconstruct the representational character of the photograph and to expand its conventional limits respectively has been triggered by predominantly German and French philosophers views on "seeing" and perception, which are consciously and subconsciously absorbed to later emerge and being translated into visual language. Ambiguity is leading to abstraction and perceptional puzzlement. [the artist] gives something for the eye to feed on, but he invites the person to whom this picture is presented to lay down his gaze there as one lays down one's weapons. (Lacan, 1998)
William Henry Carter • Pietro Catarinella • Ruth Connolly • Christine Donnier-Valentin • Stephanie Galea • Paul Hutchinson • Thomas W. Kuppler • Mark McWilliams • Sinaida Michalskaja • Alexandra Pace • Daniel Silva • Tanya Zommer •
University of Brighton
MA Photography
Central Saint Martins
MA Photography
De Montfort University
MA Photography
Goldsmiths University of London
MA Photography: The Image and Electronic Arts
Plymouth University
MA Photography
Royal College of Art
MA Photography
University of Ulster
MFA Photography
University of Westminster
MA Photographic Studies
University of Westminster
MA Documentary Photography & Photojournalism
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